{"id":26280,"date":"2024-06-19T20:31:10","date_gmt":"2024-06-19T20:31:10","guid":{"rendered":"https:\/\/avrupapress.com\/main\/?p=26280"},"modified":"2025-01-11T01:18:34","modified_gmt":"2025-01-11T01:18:34","slug":"cengiz-aytmatov-turk-edebiyatinin-kirgiz-incisi","status":"publish","type":"post","link":"https:\/\/avrupapress.com\/main\/2024\/06\/19\/cengiz-aytmatov-turk-edebiyatinin-kirgiz-incisi\/","title":{"rendered":"Cengiz Aytmatov, T\u00fcrk Edebiyat\u0131n\u0131n K\u0131rg\u0131z \u0130ncisi"},"content":{"rendered":"

\u00c7\u0131\u0148\u011f\u0131z T\u00f6r\u00f6qul uulu Aytmatov (1928-2008), d\u00fcnya edebiyat\u0131n\u0131n incisi, e\u015fsiz yazar, edebiyat\u00e7\u0131, bilim adam\u0131, diplomat vb. Bu yazar\u0131 tan\u0131mlamak i\u00e7in bir\u00e7ok mucizevi s\u0131fat var. Zoirova ve di\u011ferlerinin (2021) yazd\u0131\u011f\u0131 gibi, ya\u015fad\u0131\u011f\u0131 d\u00f6nemde en \u00e7ok okunan yazar oldu. Eserleri d\u00fcnyadaki hemen hemen her dile \u00e7evrilmi\u015ftir. Xodjayev & Umaraliyeva (2024), K\u0131rg\u0131z yazar\u0131n 20. y\u00fczy\u0131l T\u00fcrk ve d\u00fcnya edebiyat\u0131n\u0131n en b\u00fcy\u00fck temsilcilerinden biri oldu\u011funu yazmaktad\u0131r. D\u00fcnya edebiyat\u0131n\u0131n en iyi geleneklerini K\u0131rg\u0131z ulusal edebiyat\u0131n\u0131n gelenekleriyle birle\u015ftirmi\u015ftir. UNESCO’ya g\u00f6re, eserleri 165 d\u00fcnya diline \u00e7evrilmi\u015f ve 70 milyondan fazla kopya bas\u0131lm\u0131\u015ft\u0131r. Rus\u00e7a ve K\u0131rg\u0131zca olmak \u00fczere iki dilde yazan Aytmatov, \u00e7al\u0131\u015fmalar\u0131na k\u0131sa \u00f6yk\u00fcler yazarak ba\u015flad\u0131. Yazar\u0131 \u00fcnl\u00fc yapan eseri \u00ab\u00a0Cemile\u00a0\u00bb adl\u0131 k\u0131sa \u00f6yk\u00fcs\u00fcd\u00fcr (Xodjayev & Umaraliyeva, 2024). \u00dcnl\u00fc yazar Louis Aragon bu eseri Frans\u0131zcaya \u00e7evirmi\u015f, \u00e7eviriye bir \u00f6ns\u00f6z yazm\u0131\u015f ve eseri \u00ab\u00a0d\u00fcnyada a\u015fk \u00fczerine yaz\u0131lm\u0131\u015f en g\u00fczel hik\u00e2ye\u00a0\u00bb olarak nitelendirmi\u015ftir. Aytmatov bu eserinde sava\u015f\u0131n g\u00f6lgesinde ya\u015fanan a\u015fk ve m\u00fccadeleyi anlat\u0131r. \u0130kinci D\u00fcnya Sava\u015f\u0131’nda yaralanm\u0131\u015f gen\u00e7 bir gazi olan Danyar ile kocas\u0131 bir milis lideri olan Jamila’n\u0131n hayatlar\u0131 i\u00e7 i\u00e7e ge\u00e7iyor.
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\nKitap iki y\u0131l i\u00e7inde 30’dan fazla yabanc\u0131 dile \u00e7evrilmi\u015ftir. Xodjayev & Umaraliyeva’n\u0131n (2024) belirtti\u011fi gibi bu, d\u00fcnya edebiyat tarihinde nadiren g\u00f6r\u00fclen bir olgudur. Eserdeki olaylar \u0130kinci D\u00fcnya Sava\u015f\u0131 s\u0131ras\u0131nda ge\u00e7mektedir. Konu, sava\u015ftan yaral\u0131 olarak d\u00f6nen Daniyor ile kar\u0131s\u0131 Jamila aras\u0131ndaki ate\u015fli a\u015fk etraf\u0131nda d\u00f6nmektedir.<\/p>\n

Yazar birka\u00e7 y\u0131l boyunca \u00f6nde gelen K\u0131rg\u0131z edebiyat dergisi \u00ab\u00a0Literaturnaya Kyrgyzistan \u00ab\u00a0\u0131n genel yay\u0131n y\u00f6netmenli\u011fini, cumhuriyetteki \u00ab\u00a0Pravda\u00a0\u00bb gazetesinin muhabirli\u011fini ve K\u0131rg\u0131z Film Yap\u0131mc\u0131lar\u0131 Birli\u011fi’nin y\u00f6netim kurulu ba\u015fkanl\u0131\u011f\u0131n\u0131 yapt\u0131. Ayr\u0131ca cumhuriyette sineman\u0131n geli\u015fmesine b\u00fcy\u00fck katk\u0131da bulundu. Xursandovnaning (2023) filminden sonra Cengiz Aytmatov’un eserlerinin g\u00f6sterimi sayesinde K\u0131rg\u0131z sinematografik<\/p>\n

sanat\u0131, kurgu gibi, d\u00fcnya seviyesine ula\u015ft\u0131. Bu y\u00fczden K\u0131rg\u0131zistan tarihinde sembolik bir adamd\u0131r. Nuralieva, (2019) \u00f6rne\u011fin Cengiz Aytmatov’un K\u0131rg\u0131zistan’da tiyatrolar\u0131n geli\u015fimini g\u00fc\u00e7l\u00fc bir \u015fekilde destekledi\u011fini yazmaktad\u0131r.<\/p>\n

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20. y\u00fczy\u0131lda, Sovyetler taraf\u0131ndan edebiyat b\u00fcy\u00fck \u00f6l\u00e7\u00fcde etkilenmi\u015ftir. Sahneye \u00c7ingiz Aytmatov\u2019un \u00e7\u0131k\u0131\u015f\u0131, geleneklerin yeniden kullan\u0131ld\u0131\u011f\u0131 olduk\u00e7a \u00f6zel yeni bir edebiyat t\u00fcr\u00fcne olanak sa\u011flam\u0131\u015ft\u0131r (Hasanov, 2019).<\/p>\n

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Zoirova ve di\u011ferleri (2021), Aytmatov\u2019un mucizevi edebiyat\u0131 hakk\u0131nda \u015f\u00f6yle yazar: \u00ab\u00a0Yenilik ayn\u0131 zamanda, Aytmatov’un eserlerinin g\u00fc\u00e7l\u00fc bir yazar\u0131n ruhu ve insanl\u0131\u011f\u0131n gelece\u011fine olan inanc\u0131yla yarat\u0131lm\u0131\u015f kal\u0131c\u0131 bir manevi de\u011fere sahip olmas\u0131nda yatmaktad\u0131r, bu da yeni duygular ve estetik izlenimler uyand\u0131r\u0131r. Edebiyat, sanatlar aras\u0131nda yerini al\u0131r.\u00a0\u00bb<\/p>\n

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Masallar\u0131yla \u00fcnl\u00fc olan bu K\u0131rg\u0131z yazar, yaratt\u0131\u011f\u0131 karakterler arac\u0131l\u0131\u011f\u0131yla kendi ya\u015fam\u0131n\u0131 yans\u0131tmaya \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. Okuyucuyu mutsuz bir \u00e7ocukluk ve k\u00f6lelik, feodalite ko\u015fullar\u0131, kan, \u015fiddet ve y\u0131k\u0131m, eski ve kutsal de\u011ferlerin \u00e7i\u011fnenmesi, insanlar\u0131n a\u015fa\u011f\u0131lanmas\u0131 ve bask\u0131 g\u00f6rmesi gibi konularla \u00e7evreleyen kitaplar\u0131 ele al\u0131nm\u0131\u015ft\u0131r. Do\u011fa, Orta Asya toplumlar\u0131nda \u00f6nemli bir yer tutar. Otaxonova (2024), bu yazar\u0131n insanlar\u0131 do\u011fayla ili\u015fkilendirerek yazan m\u00fckemmel bir \u00f6rnek oldu\u011funu yazar. Bu nedenle, t\u00fcm Orta Asya i\u00e7in bir sembold\u00fcr.<\/p>\n

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\u00c7ingiz Aytmatov, eserlerinde mitolojiyi yo\u011fun bir \u015fekilde kullan\u0131r, ancak karakterler tanr\u0131l\u0131k iddias\u0131nda bulunmazlar veya tanr\u0131sall\u0131k stat\u00fcs\u00fcne sahip de\u011fildirler. Bu kahramanlar bozk\u0131rlar\u0131n ya\u015fam\u0131n\u0131 yans\u0131t\u0131r ve eserlerinin baz\u0131lar\u0131nda oldu\u011fu gibi y\u00fcr\u00fcyerek veya atla gelirler. \u00c7ingiz Aytmatov, ger\u00e7ek\u00e7i bir sanat\u00e7\u0131d\u0131r. Onun ger\u00e7ek\u00e7ili\u011fi mitoloji, folklor, dini motifler ve kurguyla zenginle\u015ftirilmi\u015f bir ger\u00e7ek\u00e7iliktir (Hasanov, 2019).<\/p>\n

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Xodjayev ve Umaraliyeva (2024), \u00c7ingiz Aytmatov\u2019un entrikalar\u0131, hayal g\u00fcc\u00fcn\u00fc ve tarihi ger\u00e7ekli\u011fi harmanlad\u0131\u011f\u0131n\u0131 yazarlar. Ba\u015fka bir deyi\u015fle, d\u00f6neminin ger\u00e7ekli\u011fini, \u00f6rne\u011fin \u00ab\u00a0Aq kema\u00a0\u00bb adl\u0131 hikayesinde oldu\u011fu gibi, peri masal\u0131 entrikalar\u0131 arac\u0131l\u0131\u011f\u0131yla g\u00f6stermeye \u00e7al\u0131\u015f\u0131r. Eser, ger\u00e7eklik etraf\u0131nda geli\u015fen iki peri masal\u0131 etraf\u0131nda yap\u0131land\u0131r\u0131lm\u0131\u015ft\u0131r. Biri \u00e7ocu\u011fun kendisi taraf\u0131ndan dokunan \u00ab\u00a0Beyaz Gemi\u00a0\u00bb masal\u0131, di\u011feri ise b\u00fcy\u00fckbabas\u0131 Momin Chol taraf\u0131ndan anlat\u0131lan \u00ab\u00a0Geyik Anne Shokhdar\u00a0\u00bb masal\u0131d\u0131r. Bu d\u00f6nemin ba\u015far\u0131lar\u0131 ve trajedileri, bu insanlar\u0131n imaj\u0131 arac\u0131l\u0131\u011f\u0131yla ustaca sunulmu\u015ftur, Xodjayev ve Umaraliyeva (2024) belirtir.<\/p>\n

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Hasanov (2019), \u00c7ingiz Aytmatov\u2019un \u00d6zbek edebiyat\u0131, T\u00fcrk edebiyat\u0131, T\u00fcrk sinemas\u0131 gibi alanlarda b\u00fcy\u00fck \u00f6l\u00e7\u00fcde etkili oldu\u011funu yazar. \u00d6rne\u011fin, \u00d6zbek yazarlar da \u00c7ingiz Aytmatov\u2019un derslerinden faydalanarak entrikay\u0131 \u00e7e\u015fitlendirme, karakterin \u00f6zelliklerini ve psikolojisini ortaya koyma, ger\u00e7ek ya\u015fam ve mitolojiyi birle\u015ftirme, manzaralar ve portreler \u00e7izme, entrikalar\u0131 yo\u011funla\u015ft\u0131rma ve \u00e7at\u0131\u015fmalar\u0131 keskinle\u015ftirme gibi konularda yararlanm\u0131\u015flard\u0131r. Nitekim, Togay Murad, Adil Yakubov, Erkin Azamov gibi \u00d6zbek yazarlar, eserlerinde Aytmatov’dan b\u00fcy\u00fck \u00f6l\u00e7\u00fcde etkilenmi\u015flerdir. Xursandovnaning (2023) \u00c7. Aytmatov’un \u00d6zbek halk\u0131n\u0131n ve \u00d6zbek edebiyat\u0131n\u0131n b\u00fcy\u00fck bir dostu oldu\u011funu yazar. Ayr\u0131ca, \u00d6zbekistan Cumhuriyeti, b\u00fcy\u00fck K\u0131rg\u0131z yazar \u00c7ingiz Aytmatov\u2019un do\u011fumunun 90. y\u0131ld\u00f6n\u00fcm\u00fcn\u00fc kutlamak i\u00e7in b\u00fcy\u00fck edebi geceler gibi bir\u00e7ok etkinlik d\u00fczenlemi\u015ftir. Bu karar, \u00d6zbekistan Cumhuriyeti Cumhurba\u015fkan\u0131 taraf\u0131ndan al\u0131nm\u0131\u015ft\u0131r. Yazar\u0131n neredeyse t\u00fcm b\u00fcy\u00fck eserleri \u00d6zbek\u00e7eye \u00e7evrilmi\u015ftir.<\/p>\n

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Daha \u00f6nce de belirtildi\u011fi gibi, Aytmatov T\u00fcrk sinematografisini de etkilemi\u015ftir. \u00d6rne\u011fin, T\u00fcrkiye’de \u00e7ok \u00fcnl\u00fc olan Selvi Boylum, Al Yazmal\u0131m adl\u0131 film, K\u0131rg\u0131zca’da \u041a\u044b\u0437\u044b\u043b \u0416\u043e\u043e\u043b\u0443\u043a \/ K\u0131z\u0131l Jooluk olarak bilinen ve 1970 y\u0131l\u0131nda yay\u0131mlanan bu romandan uyarlanm\u0131\u015ft\u0131r. Gariper (2015), T\u00fcrk sinemas\u0131n\u0131n yazar\u0131n edebiyat\u0131n\u0131 canland\u0131rd\u0131\u011f\u0131n\u0131 yazar.<\/p>\n

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\u00c7ingiz Aytmatov’un d\u00fcnya edebiyat tarihinde ve \u00f6zellikle T\u00fcrk dilleri aras\u0131nda bir inci olmas\u0131n\u0131n nedeni, eserlerinin bir kimli\u011fi koruma m\u00fccadelesi olmas\u0131d\u0131r. \u00d6rne\u011fin, anlat\u0131lar\u0131 atom \u00e7a\u011f\u0131, teknolojinin geli\u015fimi, d\u00fcnya medeniyeti vb. unsurlar\u0131n eski de\u011ferlere, ulusal geleneklere ve bir ki\u015finin kimli\u011fine zarar verebilece\u011fini g\u00f6sterir. Bu nedenle, kimlik korumas\u0131n\u0131n k\u00fcresel bir sembol\u00fcd\u00fcr. Ayr\u0131ca, eserlerindeki karakterler her zaman kendi kimliklerini aray\u0131\u015f i\u00e7indedir.<\/p>\n

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Yazar, Otov’un \u00ab\u00a0dinleyi\u015fini\u00a0\u00bb bir s\u0131n\u0131f olarak ustaca tasvir eder. \u00d6rne\u011fin, \u00ab\u00a0Elveda, Gulsari\u00a0\u00bb adl\u0131 eserinde k\u00fcreselle\u015fmenin sapmalar\u0131na kar\u015f\u0131 bir protesto betimler. Yazar, bunun kibarl\u0131\u011f\u0131n kayb\u0131na, eski de\u011ferlerin ihlaline, karde\u015flik ve akrabal\u0131k duygusunun yok olmas\u0131na yol a\u00e7abilece\u011fini g\u00f6sterir. \u00ab\u00a0Ke\u015fke t\u00fcm karde\u015flerimiz, \u00f6rne\u011fin, teyzemin bah\u00e7esinde – bozk\u0131rda yazd\u0131\u011f\u0131 gibi ayn\u0131 yerde olsayd\u0131.\u00a0\u00bb Ba\u015fka bir deyi\u015fle, K\u0131rg\u0131z veya Kazak olman\u0131n do\u011fa olmadan ya\u015fayamayacaklar\u0131 anlam\u0131na geldi\u011fini s\u00f6ylemeye \u00e7al\u0131\u015f\u0131r. Ger\u00e7ekte, \u00c7ingiz Aytmatov, d\u00f6nemin ger\u00e7ekleri taraf\u0131ndan ezilen bir insan\u0131n imaj\u0131n\u0131 yaratm\u0131\u015ft\u0131r. Alieva ve di\u011ferleri (2021), Aytmatov’un realist d\u00fczyaz\u0131s\u0131nda \u00f6zellikle \u00ab\u00a0Anne Tarlas\u0131\u00a0\u00bb ve \u00ab\u00a0Beyaz Gemi\u00a0\u00bb adl\u0131 hikayelerinde sembolizmin \u00f6zel kullan\u0131m\u0131n\u0131n d\u00fcnya \u00e7ap\u0131ndaki edebiyat uzmanlar\u0131 taraf\u0131ndan b\u00fcy\u00fck be\u011feni toplad\u0131\u011f\u0131n\u0131 belirtir.<\/p>\n

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Ayr\u0131ca, bu yazar, eserlerinde K\u0131rg\u0131z kad\u0131n\u0131n\u0131 \u00e7ok i\u015fleyen \u00fcnl\u00fc bir yazard\u0131r. Zhanybekovna (2024), her bir anlat\u0131s\u0131n\u0131n K\u0131rg\u0131z kad\u0131n\u0131n\u0131n g\u00fcc\u00fcn\u00fc ortaya koydu\u011funu belirtir. K\u0131rg\u0131z k\u00fclt\u00fcr\u00fcnde kad\u0131n b\u00fcy\u00fck bir de\u011fere sahiptir. Anne, toplumda \u00f6nemli bir yere sahiptir ve d\u00fcnyaya hayat veren, be\u015fi\u011fi bir eliyle ve d\u00fcnyay\u0131 tek bir elle sallayan g\u00fczel, g\u00fc\u00e7l\u00fc ve nazik bir ki\u015fi olarak sunulur. Halk\u0131 gibi, \u00c7. Aytmatov da kad\u0131n\u0131n yerini y\u00fcceltmi\u015ftir. Eserlerinde Saodat, Sabira, Seyide, Jamiyla, Tolgonay, Oltinay, Asel, Qadicha, Jaydar, Bubujan, Teyze Inkamal, Ukubala gibi g\u00fc\u00e7l\u00fc kad\u0131n karakterleri \u00f6rnek verebiliriz (Zhanybekovna, 2024). Yazar, sava\u015f d\u00f6nemlerini ya\u015fam\u0131\u015f ve bu s\u00fcre zarf\u0131nda insanl\u0131k, kad\u0131nlar\u0131n g\u00fcc\u00fcn\u00fc fark etmi\u015ftir. Sava\u015f s\u0131ras\u0131nda t\u00fcm erkekler sava\u015fa gitti\u011finde, kad\u0131nlar ya\u015fam\u0131n y\u00fck\u00fcn\u00fc ta\u015f\u0131yordu. Zhanybekovna (2024), Aytmatov’un her bir resim arac\u0131l\u0131\u011f\u0131yla kad\u0131nlar\u0131n k\u00fcresel sorunlarla ba\u015fa \u00e7\u0131kmadaki \u00f6nemini g\u00f6sterebildi\u011fini ve yazar\u0131n, kad\u0131nlar\u0131n toplumda e\u011fitilmi\u015f bir gelece\u011fe sahip olmalar\u0131 gerekti\u011fini vurgulad\u0131\u011f\u0131n\u0131 yazar. \u00ab\u00a0K\u0131rm\u0131z\u0131 Fular\u0131m\u00a0\u00bb adl\u0131 hikayede, Asel’in sevgi, iffet, g\u00fc\u00e7, ya\u015fam\u0131n zorluklar\u0131na kar\u015f\u0131 dayan\u0131kl\u0131l\u0131\u011f\u0131 ve \u00e7ocu\u011funu yolda b\u0131rakmama kabiliyeti, bir K\u0131rg\u0131z k\u0131z\u0131n\u0131n azim, sab\u0131r ve bilgeli\u011fini anlat\u0131r. Bu nedenle Zhanybekovna (2024), \u00c7. Aytmatov’un sadece yetenekli bir yazar olarak de\u011fil, insan ya\u015fam\u0131n\u0131 derinlemesine inceleyen ve kad\u0131n haklar\u0131n\u0131 savunan bir \u00ab\u00a0psikolog m\u00fchendis\u00a0\u00bb olarak an\u0131ld\u0131\u011f\u0131n\u0131 a\u00e7\u0131klar. Eserleri arac\u0131l\u0131\u011f\u0131yla, K\u0131rg\u0131z kad\u0131nlar\u0131n\u0131n g\u00fcc\u00fcn\u00fc d\u00fcnyaya g\u00f6stermi\u015ftir. \u0130nsanlar\u0131, \u00f6yk\u00fclerinde erkeklerin kad\u0131nlar\u0131 nas\u0131l muamele etti\u011fini d\u00fc\u015f\u00fcnmeye sevk etmi\u015ftir. Zalqar karakterini i\u00e7eren eserini \u00f6rnek olarak verebiliriz. \u00d6zetle, bu eserler, bir eliyle be\u015fi\u011fi ve di\u011fer eliyle evreni sallayan b\u00fcy\u00fck entelekt\u00fcel kad\u0131n\u0131n her zaman korunmas\u0131 gerekti\u011fi ve e\u011fitiminin her \u015fekilde sa\u011flanmas\u0131 gerekti\u011fi mesaj\u0131n\u0131 verir.<\/p>\n

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Alieva ve di\u011ferleri (2021), \u00ab\u00a0Cemile\/Jamila\u00a0\u00bb adl\u0131 eserde, yazar\u0131n kad\u0131nlar\u0131n T\u00fcrk toplumlar\u0131ndaki \u00f6nemini, \u00f6zellikle K\u0131rg\u0131zlarda, g\u00f6sterdi\u011fini yazar. \u00d6rne\u011fin, VI. y\u00fczy\u0131ldan beri, bu toplumlarda kad\u0131nlar erkeklerin yan\u0131nda \u00f6nemli bir yere sahipti. Ba\u015fka bir deyi\u015fle, K\u0131rg\u0131zlar\u0131n atalar\u0131 olan K\u00f6kt\u00fcrkler, Timuriler gibi, kad\u0131nlar sarayda siyasi g\u00fcce bile sahipti. \u00c7. Aytmatov, eserlerinde Annenin do\u011fu aile de\u011ferlerinin merkezi oldu\u011funu g\u00f6sterir. Anne, e\u011fitir ve evin koruyucusudur. Aile reisi olmad\u0131\u011f\u0131nda bile, kar\u0131s\u0131 evin y\u00f6neticisi olarak kal\u0131r. Bu durum bir\u00e7ok T\u00fcrk halk\u0131 i\u00e7in tipiktir ve \u00c7ingiz Aytmatov burada Anneyi merkezi bir konuma getirir.<\/p>\n

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Son olarak, bu adam, k\u00fclt\u00fcrel kimliklerin ve \u00f6zellikle K\u0131rg\u0131z milliyetinin korunmas\u0131 i\u00e7in bir \u00f6rnektir. Pro\u00e2eva (2015) bu konuda \u015f\u00f6yle yazar: \u201ck\u00fclt\u00fcrel kimlik sorunu, edebiyat\u0131n malzemesi olan dil ile ayr\u0131lmaz bir \u015fekilde ba\u011flant\u0131l\u0131d\u0131r\u201d. Ancak, bu adam d\u00fcnya ile ileti\u015fimi<\/p>\n

korumak istiyordu ve bu nedenle 1997’de bir Ukraynal\u0131 gazeteciye Rus dilinin \u00f6nemini vurgulam\u0131\u015ft\u0131r. \u00ab\u00a0Beyaz Gemi\u00a0\u00bb adl\u0131 hikayesi, \u00f6rne\u011fin, hem K\u0131rg\u0131z kimli\u011finin \u00e7\u00f6z\u00fclmesinin bir ele\u015ftirisi hem de iyi ve k\u00f6t\u00fc aras\u0131ndaki ahlaki bir m\u00fccadeledir. Bu ba\u011flamda, roman, Aytmatov’un eserlerinde s\u0131k\u00e7a bulunan insand\u0131\u015f\u0131l\u0131kla ilgili temay\u0131 ele al\u0131r (Koyuncu, 2023). Ayr\u0131ca, K\u0131rg\u0131z kimli\u011fine olan ba\u011fl\u0131l\u0131\u011f\u0131 \u00ab\u00a0Jamila\u00a0\u00bb eserinde, \u00ab\u00a0Kim kendi vatan\u0131n\u0131, kendi milletini sevmez ki!\u00a0\u00bb diye yazarken yans\u0131r.<\/p>\n

 <\/p>\n

\u00d6zet olarak, Aytmatov, bir yazar, bir diplomat, ola\u011fan\u00fcst\u00fc ve \u00f6rnek bir filozof, h\u00fcmanisttir. Hasanov’un (2019) belirtti\u011fi gibi, \u00c7ingiz Aytmatov, bir\u00e7ok edebiyat doktoru taraf\u0131ndan Ali\u015fir Nevai, Lev Tolstoy, Mihail \u015eolohov, Gabriel Marquez ile kar\u015f\u0131la\u015ft\u0131r\u0131lm\u0131\u015ft\u0131r. Aytmatov, eserlerinde insan do\u011fas\u0131, felsefe, kad\u0131n haklar\u0131, sava\u015f\u0131n y\u0131k\u0131mlar\u0131, sevginin, ahlak\u0131n, iyili\u011fin, bar\u0131\u015f\u0131n \u00f6nemi gibi temalar\u0131 ustal\u0131kla i\u015fler. Karakterlerinin \u00e7evreleriyle derin bir \u015fekilde ba\u011fl\u0131 oldu\u011fu bu eserlerde, yazar, kendi varl\u0131\u011f\u0131m\u0131z ve d\u00fcnyadaki yerimiz \u00fczerine d\u00fc\u015f\u00fcnmemizi sa\u011flar. Aytmatov’un \u015fiirsel yaz\u0131m\u0131, karakterlerinin yans\u0131t\u0131ld\u0131\u011f\u0131 \u00e7evrelerine bizi ta\u015f\u0131r, duygular derindir. Karakterler aras\u0131ndaki diyaloglar bilgelik ve ahlak doludur. Bu nedenle, bu K\u0131rg\u0131z yazar\u0131n eserleri d\u00fcnya genelindeki t\u00fcm okullarda incelenmelidir.<\/p>\n

 <\/p>\n

 <\/p>\n

KAYNAKLAR<\/p>\n

R\u00c9F\u00c9RENCES<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

AKIN, C. (2015). CENG\u0130Z AYTMATOV’UN ESERLER\u0130NDE V\u0130CDAN. International Journal of Turkish Literature, Culture, Education, 4(4).<\/p>\n

 <\/p>\n

Alieva, S. A., Mustafina, R. D., Gareeva, G. N., Galliamov, A. A., & Akhmadrakhimova, O. V. (2021). Issues Of Ethnic Identity In Worldview And Creative Output Of Chingiz Aytmatov. European Proceedings of Social and Behavioural Sciences.<\/p>\n

 <\/p>\n

Aytmatov, C. (2021). Sarvqomat dilbarim. Sharq\u201d nashriyoti-matba aksiyadorlik kompaniyasi bosh tahririyati, Toshkent-2009.<\/p>\n

Aytmatov, C. (2016). Jamila. Toshkent.<\/p>\n

 <\/p>\n

Bashiri, I. (1999). Kyrgyz National Identity. University of Minnesota.<\/p>\n

 <\/p>\n

 <\/p>\n

Gariper, C. (2015). Cengiz Aytmatov\u2019un Al Yazmal\u0131m Selvi Boylum Hik\u00e2yesi ve G\u00f6stergeleraras\u0131l\u0131k. Bilig, (74), 71-95.<\/p>\n

 <\/p>\n

HASANOV, S. (2019). CHINGIZ AYTMATOV VA O \u2018ZBEK ADABIYOTI. Uluslararas\u0131 T\u00fcrk Leh\u00e7e Ara\u015ft\u0131rmalar\u0131 Dergisi (T\u00dcRKLAD), 3(1), 86-93.<\/p>\n

 <\/p>\n

\u0130LBO\u011eA, B. (2023). of the Thesis: Conflict Of Good And Bad In The Works Of Chingiz Aytmatov.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

KOYUNCU, M. (2023). CENG\u0130Z AYTMATOV’UN ESERLER\u0130 \u00dcZER\u0130NE FELSEF\u00ce<\/p>\n

B\u0130R DE\u011eERLEND\u0130RME. \u00c7ukurova \u00dcniversitesi Sosyal Bilimler Enstit\u00fcs\u00fc Dergisi, 32(1),<\/p>\n

238-246.<\/p>\n

 <\/p>\n

Ochilova, N. (2021). The Image of\u00a0\u00bb Horse\u00a0\u00bb in the work of Chingiz Aytmatov\u00a0\u00bb Farewell, Gulsari\u00a0\u00bb. \u0426\u0415\u041d\u0422\u0420 \u041d\u0410\u0423\u0427\u041d\u042b\u0425 \u041f\u0423\u0411\u041b\u0418\u041a\u0410\u0426\u0418\u0419 (buxdu. uz), 22(22).<\/p>\n

 <\/p>\n

\u041e\u043c\u0443\u0440\u043e\u0432\u0430, \u0422. \u0410., & \u041a\u043e\u0436\u043e\u0431\u0435\u043a\u043e\u0432\u0430, \u0413. \u041c. (2009). \u042d\u041a\u041e\u041b\u041e\u0413\u0418\u042f \u0418 \u0447. \u0410\u0419\u0422\u041c\u0410\u0422\u041e\u0412. \u041d\u0430\u0443\u043a\u0430 \u0438 \u043d\u043e\u0432\u044b\u0435<\/p>\n

\u0442\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0438\u0438, (1-2), 274-277.<\/p>\n

 <\/p>\n

Otaxonova, S. (2024). CHINGIZ AYTMATOV ASARLARIDA TABIAT VA INSON MUNOSABATI. Academic research in educational sciences, 5(CSPU Conference 1), 814-816.<\/p>\n

Nuralieva, (2019). , O. T. I. \u0412\u041b\u0418\u042f\u041d\u0418\u0415 \u041f\u0420\u041e\u0418\u0417\u0412\u0415\u0414\u0415\u041d\u0418\u0419 \u0427. \u0410\u0419\u0422\u041c\u0410\u0422\u041e\u0412\u0410 \u041d\u0410 \u0420\u0410\u0417\u0412\u0418\u0422\u0418\u0415 \u0422\u0415\u0410\u0422\u0420\u041e\u0412 \u041a\u042b\u0420\u0413\u042b\u0417\u0421\u0422\u0410\u041d\u0410. \u0412\u0415\u0421\u0422\u041d\u0418\u041a \u041e\u0448\u0441\u043a\u043e\u0433\u043e \u0433\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0430 \u2116 1, 2019, 126.<\/p>\n

 <\/p>\n

Pro\u00e2eva, \u00c8. (2015). La litt\u00e9rature comme mise en archive d\u2019une identit\u00e9: l\u2019exp\u00e9rience des auteurs russes du Kirghizstan postsovi\u00e9tique. Cahiers d\u2019Asie centrale, (24), 359-395.<\/p>\n

 <\/p>\n

Xodjayev, S., & Umaraliyeva, F. (2024). CHINGIZ AYTMATOV ASARLARIDA UCHLIK TIMSOLI. THE THEORY OF RECENT SCIENTIFIC RESEARCH IN THE FIELD OF PEDAGOGY, 2(18), 109-113.<\/p>\n

Xursandovnaning, S. A. (2023). \u00a0\u00bb CHINGIZ AYTMATOV IJODINING MAKTAB DARSLIKLARIDA O \u2018RGANILISHI\u00a0\u00bb NOMLI. O’ZBEKISTONDA FANLARARO INNOVATSIYALAR VA ILMIY TADQIQOTLAR JURNALI, 2(15), 655-661.<\/p>\n

Zhanybekovna, J. E. (2024). CHINGIZ AYTMATOV ASARLARIDA QIRGIZ AYOLLARINING URNI. Science and innovation, 3(Special Issue 15), 79-80.<\/p>\n

Zoirova, A. and. al. (2021). System Of Image In Cre<\/p>\n

 <\/p>\n

Derya Soysal\u00a0 \u00a0 \u00a0\/\u00a0 \u00a0 \u00a0AVRUPAPRESS<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c7\u0131\u0148\u011f\u0131z T\u00f6r\u00f6qul uulu Aytmatov (1928-2008), d\u00fcnya edebiyat\u0131n\u0131n incisi, e\u015fsiz yazar, edebiyat\u00e7\u0131, bilim adam\u0131, diplomat vb. Bu yazar\u0131 tan\u0131mlamak i\u00e7in bir\u00e7ok mucizevi s\u0131fat var. Zoirova ve di\u011ferlerinin (2021) yazd\u0131\u011f\u0131 gibi, ya\u015fad\u0131\u011f\u0131 d\u00f6nemde en \u00e7ok okunan yazar oldu. Eserleri d\u00fcnyadaki hemen hemen her dile \u00e7evrilmi\u015ftir. Xodjayev & Umaraliyeva (2024), K\u0131rg\u0131z yazar\u0131n 20. y\u00fczy\u0131l T\u00fcrk ve d\u00fcnya edebiyat\u0131n\u0131n […]<\/p>\n","protected":false},"author":3,"featured_media":26147,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,16,3,17,18,15,19,2,1],"tags":[],"class_list":["post-26280","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-avrupa","category-belcika","category-dunya","category-ekonomi","category-kultur-sanat","category-spor","category-tanitim","category-turkiye","category-uncategorized"],"yoast_head":"\nCengiz Aytmatov, T\u00fcrk Edebiyat\u0131n\u0131n K\u0131rg\u0131z \u0130ncisi - AvrupaPress<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/avrupapress.com\/main\/2024\/06\/19\/cengiz-aytmatov-turk-edebiyatinin-kirgiz-incisi\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cengiz Aytmatov, T\u00fcrk Edebiyat\u0131n\u0131n K\u0131rg\u0131z \u0130ncisi - AvrupaPress\" \/>\n<meta property=\"og:description\" content=\"\u00c7\u0131\u0148\u011f\u0131z T\u00f6r\u00f6qul uulu Aytmatov (1928-2008), d\u00fcnya edebiyat\u0131n\u0131n incisi, e\u015fsiz yazar, edebiyat\u00e7\u0131, bilim adam\u0131, diplomat vb. 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Bu yazar\u0131 tan\u0131mlamak i\u00e7in bir\u00e7ok mucizevi s\u0131fat var. Zoirova ve di\u011ferlerinin (2021) yazd\u0131\u011f\u0131 gibi, ya\u015fad\u0131\u011f\u0131 d\u00f6nemde en \u00e7ok okunan yazar oldu. Eserleri d\u00fcnyadaki hemen hemen her dile \u00e7evrilmi\u015ftir. 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