{"id":15716,"date":"2021-06-09T14:13:15","date_gmt":"2021-06-09T14:13:15","guid":{"rendered":"https:\/\/avrupapress.com\/main\/?p=15716"},"modified":"2021-06-09T21:09:12","modified_gmt":"2021-06-09T21:09:12","slug":"insanlik-ne-kadar-eskiyse-oymacilik-da-o-kadar-eski-bir-gecmise-sahiptir","status":"publish","type":"post","link":"https:\/\/avrupapress.com\/main\/2021\/06\/09\/insanlik-ne-kadar-eskiyse-oymacilik-da-o-kadar-eski-bir-gecmise-sahiptir\/","title":{"rendered":"\u0130NSANLIK NE KADAR ESK\u0130YSE, OYMACILIK DA O KADAR ESK\u0130 B\u0130R GE\u00c7M\u0130\u015eE SAH\u0130PT\u0130R"},"content":{"rendered":"

Hayat\u0131m\u0131z\u0131n her alan\u0131nda mimariden mobilyaya ah\u015fap oymac\u0131l\u0131\u011f\u0131 kullan\u0131ld\u0131. Unutulmaya y\u00fcz tutmu\u015f bir sanat olan ah\u015fap oymac\u0131l\u0131\u011f\u0131 \u00fczerine, bu sanat\u0131 icra eden T\u00fcrkiye\u2019de say\u0131l\u0131 isimlerden olan Mehmet Kiri\u015f ile konu\u015fuldu.<\/strong><\/p>\n

Ge\u00e7mi\u015ften g\u00fcn\u00fcm\u00fcze evlerde ve saray mimarisinde ah\u015fap oyma sanat\u0131 kullan\u0131ld\u0131. \u00d6zen ve sab\u0131r isteyen, yo\u011fun emek harcanan ah\u015fap oymac\u0131l\u0131\u011f\u0131 hem yap\u0131m a\u015famas\u0131yla hem de kullan\u0131lmaya haz\u0131r hale gelmi\u015f \u015fekliyle g\u00f6renleri hayran b\u0131rakt\u0131.<\/p>\n

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\u201cA\u015fkla Ve Hevesle Ba\u015flad\u0131m\u201d<\/p>\n

On y\u0131l \u00f6nce ah\u015fap oymac\u0131l\u0131\u011f\u0131na ba\u015flayan ve ba\u015flamas\u0131n\u0131n bir anda oldu\u011funu belirten Kiri\u015f,\u201d B\u00f6yle bir sanatla me\u015fgul olmak i\u00e7imden geldi, bir sanatla u\u011fra\u015fmam gerekti\u011fini d\u00fc\u015f\u00fcn\u00fcrken, oymac\u0131l\u0131k akl\u0131ma geldi. \u0130lgim ah\u015fap oymac\u0131l\u0131\u011f\u0131 alan\u0131na yo\u011funla\u015ft\u0131.\u201d dedi ve s\u00f6zlerine \u015fu \u015fekil devam etti, \u201cAh\u015fap ve malzemeleri ile birlikte k\u0131rk metre kare bir at\u00f6lye kiralayarak ilk orada ba\u015flad\u0131m. A\u015fkla ve hevesle ba\u015flad\u0131m. Ba\u015flamamda, etraf\u0131mda sanatseverlerin de olu\u015fmas\u0131 beni daha \u00e7ok te\u015fvik etti. Bakt\u0131k ki bu sanata ilgi var, heves var, merakl\u0131s\u0131 var. Biz daha bir \u015fey bilmezken etraf\u0131m\u0131zdakiler hocam demeye ba\u015flad\u0131. \u00d6yle ba\u015flam\u0131\u015ft\u0131m, bug\u00fcnlere kadar geldik. Sanat\u0131m\u0131za be\u011feni ve ilgi \u00e7ok y\u00fcksek .\u201ddedi.<\/p>\n

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\u201cOsmanl\u0131da Sanat\u0131m\u0131za Daha \u00c7ok De\u011fer Verilmi\u015ftir\u201d<\/p>\n

Kiri\u015f, ah\u015fap oyma sanat\u0131n\u0131n do\u011fal ah\u015faplara istedi\u011fimiz \u015fekilleri ve desenleri \u00fczerine \u00e7izip, \u00e7elik b\u0131\u00e7aklarla oyarak kabart\u0131lma halini almas\u0131na oyma sanat\u0131 denildi\u011fini ifade etti ve tarihi ile ilgili olarak \u201c\u0130nsanl\u0131\u011f\u0131n ba\u015flamas\u0131yla oymac\u0131l\u0131k ba\u015flam\u0131\u015ft\u0131r. Ta\u015f oymac\u0131l\u0131\u011f\u0131 derken ah\u015fap oymac\u0131l\u0131\u011f\u0131na ge\u00e7ilmi\u015ftir. \u0130nsanl\u0131k ne kadar eskiyse, oymac\u0131l\u0131k da o kadar eski ge\u00e7mi\u015fe sahiptir. Sel\u00e7uklu d\u00f6neminde oymac\u0131l\u0131k ilerletilmi\u015ftir, Osmanl\u0131 d\u00f6nemindeki geli\u015fmelerle farkl\u0131 alanlarda kullan\u0131lm\u0131\u015f ve katk\u0131larda bulunulmu\u015ftur. Osmanl\u0131\u2019da sanat\u0131m\u0131za daha \u00e7ok de\u011fer verilmi\u015ftir.\u201d \u015feklinde konu\u015ftu.<\/p>\n

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Ah\u015fap oymac\u0131l\u0131\u011f\u0131nda hangi malzemelerin kullan\u0131ld\u0131\u011f\u0131na dair, \u201c Do\u011fal ah\u015fap olan Afrika k\u00f6kenli; Akaju, Sapelli, Tik, Okima, Ayous, yerli ah\u015faplar\u0131m\u0131zdan; Ceviz A\u011fac\u0131 yo\u011funluktad\u0131r. En \u00e7ok kullan\u0131lan ceviz ve g\u00fcrgendir. Dut a\u011fac\u0131, kestane a\u011fac\u0131 , \u00e7am a\u011fac\u0131 , armut ve elma gibi vb. ah\u015faplar\u0131 kullan\u0131yoruz .\u201ddedi.<\/p>\n

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\u201c \u0130slam Sanat\u0131 Do\u011fall\u0131k \u0130ster, Cilan\u0131n Da Do\u011fal Olmas\u0131 Gerekir\u201d<\/p>\n

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Sab\u0131r ve emek isteyen ah\u015fap oyma s\u00fcrecini anlatan Kiri\u015f ,\u201d Elimizde ceviz ah\u015fab\u0131 var, bir \u00e7i\u00e7ek yapaca\u011f\u0131z diyelim. \u00d6nce ah\u015fab\u0131m\u0131z\u0131 siliyoruz, z\u0131mparas\u0131n\u0131 yap\u0131yoruz p\u00fcr\u00fczs\u00fcz hale gelene kadar. Yapmak istedi\u011fimiz \u00e7i\u00e7ek desenini \u00fczerine \u00e7iziyoruz. \u00c7izim s\u00fcreci bittikten sonra, bir b\u0131\u00e7akla oymaya ba\u015fl\u0131yoruz. \u00c7i\u00e7e\u011fin kabar\u0131k kalmas\u0131n\u0131 sa\u011fl\u0131yoruz. \u00c7i\u00e7e\u011fin haricindeki yerlere derine dalarak b\u0131\u00e7aklarla a\u015fa\u011f\u0131 indirme tekni\u011fimize Derin- Oyma tekni\u011fi diyoruz. Bir ba\u015fka teknik de Dalma-Oyma tekni\u011fidir. Dalma- Oyma tekni\u011finde, sadece y\u00fczeysel olarak \u00e7izgilerden giderek, a\u015fa\u011f\u0131 d\u00fc\u015f\u00fcrmeden oyma tekni\u011fini uyguluyoruz. Bu iki \u00e7al\u0131\u015fmayla oymac\u0131l\u0131\u011f\u0131 devam ettiriyoruz. \u00c7i\u00e7e\u011fimizin etraf\u0131n\u0131 bo\u015falt\u0131p tablomuzun \u00e7er\u00e7eve a\u015famas\u0131na ge\u00e7iyoruz. i\u00e7 desenine uyum sa\u011flayacak \u00e7er\u00e7eveyi tablomuza monta ediyoruz ve z\u0131mpara yap\u0131yoruz. Yapt\u0131\u011f\u0131m\u0131z sanat \u0130slam sanat\u0131d\u0131r. \u0130slam sanat\u0131 do\u011fall\u0131k ister, cilan\u0131n da do\u011fal olmas\u0131 gerekir. Kimyasal uygulam\u0131yorum. Kendim haz\u0131rlad\u0131\u011f\u0131m gomad cila tekni\u011fi ile cilal\u0131yorum. Ask\u0131s\u0131n\u0131 da takt\u0131ktan sonra kullan\u0131lmaya haz\u0131r oluyor. \u201d\u015feklinde ifade etti.<\/p>\n

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\u201cK\u0131rmamak \u0130\u00e7in Ah\u015fab\u0131n Dilini Bilmemiz Gerekiyor\u201d<\/p>\n

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Ah\u015fap oyma sanat\u0131n\u0131n \u00e7ok hassas oldu\u011funu belirten Kiri\u015f ,\u201d\u00c7al\u0131\u015fma s\u0131ras\u0131nda, ah\u015fab\u0131n su y\u00f6n\u00fcne, lif y\u00f6n\u00fcne dikkat ediyoruz. B\u0131\u00e7a\u011f\u0131m\u0131z\u0131 vururken k\u0131rmamaya dikkat ediyoruz. K\u0131rmamak i\u00e7in de ah\u015fab\u0131n dilini bilmemiz gerekiyor. Ters y\u00f6nden vurursak tablomuz zarar g\u00f6r\u00fcr, dolay\u0131s\u0131yla g\u00fczel bir netice elde edemeyiz. \u201difadelerine yer verdi.<\/p>\n

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\u201c\u00c7ocuklar\u0131ma Miras Olarak B\u0131rakaca\u011f\u0131m\u201d<\/p>\n

Yo\u011fun olarak mobilya, konaklar\u0131n lamba g\u00f6bekleri, tavan s\u00fcslemelerinde ve hanlarda geni\u015f uygulama alanlar\u0131na sahip olan oymac\u0131l\u0131k sanat\u0131n\u0131 devam ettirmek i\u00e7in \u00e7\u0131rak yeti\u015ftirdi\u011fini ifade eden Kiri\u015f ,\u201d . Bildiklerimi tamamen onlara aktar\u0131yorum, onlar\u0131nda yeti\u015fmesine vesile oluyorum.\u201d Dedi. Kiri\u015f son olarak oymac\u0131l\u0131k sanat\u0131na ba\u015flad\u0131\u011f\u0131 g\u00fcnden bug\u00fcne destek veren \u00e7ocuklar\u0131na eserlerini miras olarak b\u0131rakaca\u011f\u0131n\u0131 belirtti<\/p>\n

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Sena Saka \/\u00a0 AVRUPAPRESS<\/p>\n","protected":false},"excerpt":{"rendered":"

Hayat\u0131m\u0131z\u0131n her alan\u0131nda mimariden mobilyaya ah\u015fap oymac\u0131l\u0131\u011f\u0131 kullan\u0131ld\u0131. Unutulmaya y\u00fcz tutmu\u015f bir sanat olan ah\u015fap oymac\u0131l\u0131\u011f\u0131 \u00fczerine, bu sanat\u0131 icra eden T\u00fcrkiye\u2019de say\u0131l\u0131 isimlerden olan Mehmet Kiri\u015f ile konu\u015fuldu. Ge\u00e7mi\u015ften g\u00fcn\u00fcm\u00fcze evlerde ve saray mimarisinde ah\u015fap oyma sanat\u0131 kullan\u0131ld\u0131. \u00d6zen ve sab\u0131r isteyen, yo\u011fun emek harcanan ah\u015fap oymac\u0131l\u0131\u011f\u0131 hem yap\u0131m a\u015famas\u0131yla hem de kullan\u0131lmaya haz\u0131r […]<\/p>\n","protected":false},"author":3,"featured_media":15736,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,16,3,17,18,19,2,1],"tags":[6989,6991,6990],"class_list":["post-15716","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-avrupa","category-belcika","category-dunya","category-ekonomi","category-kultur-sanat","category-tanitim","category-turkiye","category-uncategorized","tag-insanlik-ne-kadar-eskiyse","tag-o-kadar-eski-bir-gecmise-sahiptir","tag-oymacilik-da"],"yoast_head":"\n\u0130NSANLIK NE KADAR ESK\u0130YSE, OYMACILIK DA O KADAR ESK\u0130 B\u0130R GE\u00c7M\u0130\u015eE SAH\u0130PT\u0130R - AvrupaPress<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/avrupapress.com\/2021\/06\/09\/insanlik-ne-kadar-eskiyse-oymacilik-da-o-kadar-eski-bir-gecmise-sahiptir\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0130NSANLIK NE KADAR ESK\u0130YSE, OYMACILIK DA O KADAR ESK\u0130 B\u0130R GE\u00c7M\u0130\u015eE SAH\u0130PT\u0130R - AvrupaPress\" \/>\n<meta property=\"og:description\" content=\"Hayat\u0131m\u0131z\u0131n her alan\u0131nda mimariden mobilyaya ah\u015fap oymac\u0131l\u0131\u011f\u0131 kullan\u0131ld\u0131. 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